Acrylic on Canvas 28 x 22
This painting began with a loose charcoal sketch directly on the canvas. I like to keep the initial drawing spontaneous and fluid—too much precision at this stage can rob the animals of their life and movement. The goal is to capture gesture, not detail.
The reference comes from a photo I took at the zoo, during one of many quiet mornings spent observing. There was something about this mother carrying her baby that stuck with me—the baby’s gaze seemed to meet mine through the lens. That moment became the heart of the painting.
Next, I blocked in the shapes using very watered-down burnt sienna. This helps define the composition while giving a warm undertone that peeks through the final layers.
My palette is:
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Paynes Grey
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Burnt Sienna
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Raw Umber
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Yellow Ochre
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Brilliant Yellow Green
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Yellow Light
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Ultramarine Blue
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Titanium White
These muted tones reflect the feeling of early morning in the jungle—quiet, shaded, and full of soft light filtering through dense trees. The greens and ochres create a natural atmosphere without overwhelming the subjects.
As the painting progresses, I slowly build detail while trying to preserve that initial vitality. The bond between mother and child, and by extension the gorilla troop, is central to this piece. There’s a tenderness and a sense of quiet resilience I wanted to honor.